When Literature and Film Partner: Graham Greene’s The Third Man at 65
Perhaps few twentieth-century writers in English were as bankable in the long-run as Graham Greene. I am not speaking in the mass-market/pulp-paperback sense of the word, nor in the high-literary James Joyce/Ernest Hemingway/T.S. Eliot sense, either. But somewhere between these two, Graham Greene gouged a niche—make that a ravine—and filled it with an international-experience (and … Read more