This month’s column is more of a list than a series of reviews. I mean to arm you with unassailable enjoyment for the lazy, sunny season. If only I can control my logorrhea! Â Faithful readers may recall that I was somewhat put off by Charles Mackerras’s unrelenting breakneck speeds in his traversal of the … Read more
If you are one of the very few people left who has not viewed the video of Susan Boyle singing “I Dreamed a Dream” on Britain‘s Got Talent, then you must do so immediately, or nothing I have to say will stick to your soul. If you are one of the tens of millions who … Read more
I am drowning in a flood of delightful new releases that will enrich your spring listening. However, this month I will concentrate on several outstanding 20th-century symphonic cycles. Â First, a complete set of Rued Langgaard’s 16 symphonies on the Dacapo label in wonderful sound, with gripping performances by the Danish National Symphony Orchestra, under … Read more
Last month, I was celebrating the Naxos American Classics release of Vittorio Giannini’s Piano Concerto and his Symphony No. 4. When I pleaded that Naxos consider recording the other six symphonies, I had forgotten that Naxos has already released Giannini’s Symphony No. 3 (1958), so it has only five to go. The Third Symphony is … Read more
Before starting any reviews this month, I must exercise (or is it exorcise?) my ire. The Economist magazine offered a December cover story, "Why Music?" that requires comment. The piece asks, "What exactly is it for?" Given the article’s art work — drawings of half-naked women emanating from the brain of a rock … Read more
Here I am, staggering under a load of great new recordings, with no relief in sight. I can only hope it gets worse, which it promises to do: Enterprising CD labels are reissuing classic recordings and exploring new repertory at almost exponential rates. I must resort to staccato-style reviews to plow ahead. Â First, a … Read more
As we prepare our farewell to Anno Domini 2008, I reflect back on some things that gave me great pleasure and on some new discoveries from this year. Although my appetite for obscure composers and compositions is insatiable, I want readers to know that I do revisit the classic repertory as often as I can, … Read more
This month, I will spare readers an entry from my musical diary because I have posted elsewhere my reviews of the two wonderful operas I saw this fall in San Francisco — Boris Godunov and Idomeneo – and a marvelous chamber music concert with the Takacs Quartet here in Washington.  Instead, I will weigh … Read more
In the recent Gramophone magazine awards issue, their critics undertake the “hunt for the Gold Disc: the greatest recording since CDs began.” They have narrowed it down to ten. Okay, I thought, I can do that too. Therefore, I offer my very eclectic list of what I think are the ten greatest recordings. I warn … Read more
At the annual fundraising dinner of the Morley Institute, the sponsor of InsideCatholic and the late Crisis magazine, I have sometimes been asked by polite guests if my work as a music critic is full-time. I have smiled painfully and said, “No,” usually without revealing my day job as a warmonger at the Defense Department. … Read more
Over the past few days, three of our writers have offered lighter reflections on why they prefer a given genre of music — Rock, Showtunes, and Classical. We conclude with Classical Music. ♦ ♦ ♦ Classical music is the greatest music. This assertion is not based upon my preference or opinion; it is as much … Read more
 Over the next few days, three of our writers will offer lighter reflections on why they prefer a given genre of music — Rock, Showtunes, and Classical.  We continue today with Showtunes.   ♦ ♦ ♦   It is said we love the music of our youth. No doubt we respond … Read more
Over the next few days, three of our writers will offer lighter reflections on why they prefer a given genre of music — Rock, Broadway, and Classical.  We begin today with Rock and Roll.   ♦ ♦ ♦  My childhood was marinated in the thunder of Beethoven, the depth of Mozart, and … Read more
Last month I began a look at the flood of fantastic summer releases, which only confirms for me that we are indeed in a golden age of recording. This month I’ll pick up where we left off. Â Three new CPO releases convince me that only now are we getting a fuller glimpse of the … Read more
Storms are not the only things that have been flooding the United States this summer. There has been a deluge of wonderful classical music CD releases. I aver that this time — our time — will go down as the golden age of recording. The riches are unbelievable. It’s not simply that I am now … Read more
Some time ago, I happened to hear a recital by one of the great Metropolitan Opera mezzo-sopranos. Opera lovers will know her name well. When my wife and I lived in New York, she was one of our favorites at the Met. The nice thing about a recital like this is that you … Read more
Spending three of the last four months on American music has meant that I have become derelict in bringing a flood of superb new releases to your attention this spring. I also failed to fulfill my promise to cover other American composers whose works are also part of the good news, like Peter Lieberson, Jon … Read more
Eric Genuis is a composer, performer, and conductor on a mission to save the culture from the destructive effects of bad music. Like the philosophers of ancient Greece, Genuis believes music shapes our character, and worries that "young people are damaged by popular music before they become adults." His solution is to make good music … Read more
Very often, if my wife is out doing errands in the middle of the day, I will make up my lunch on a tray and carry it into my study. There I can put a CD on my portable player — it is the only system I have, and it sits in a shelf … Read more
This month I must reflect on a phone call I received from an old and discerning friend who was extremely upset over the music used at the papal Mass in Washington on April 17, and on a note another friend sent saying, “It was as if the Washington, D.C., crowd were pleasing themselves and not … Read more