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    Somehow we have this impression that Gregorian chant is part of a high Church ethos. It’s for conservatives and traditionalists who favor their liturgy buttoned up, obedient, and strict. On the other hand, this line of thinking goes, people who…

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    Pope Benedict XVI’s Musical Legacy

    by Jeffrey Tucker

    One of the many lasting legacies of the papacy of Benedict XVI concerns liturgical music. Enormous progress has been made in his papacy. Incredibly this progress has happened without new legislation, new restrictions, new mandates, or firm-handed attempts to impose…

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    Why Do People Want to Learn Chant?

    by Jeffrey Tucker

    It was my great fortune to be asked recently to substitute teach a master class on Gregorian chant. The event was the Church Music Association of America’s Winter Chant Intensive. The original instructor for the men, David Hughes, became very…

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    For God’s Sake, Make Music

    by John Jalsevac

    Every Sunday in Christ the King Chapel at Christendom College in Front Royal, Virginia, the mass is celebrated with all the pomp and ceremony that the traditions of the Catholic Church and the humble means of that small college allow—glittering…

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    Sing we Noël!

    by Christopher O. Blum

    Speaking of his medieval ancestors and ours, d’Alembert once said that “Poetry for them was reduced to a puerile mechanism.” James Madison, echoing him, judged the result of fifteen centuries of Christian civilization to be little more than “pride and…

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    A Music Set Apart

    by Jeffrey Tucker

    The offertory antiphon for the Sunday before the last Sunday of the liturgical year is the famous text “De profundis clamavi ad te, Domine; Domine, exaudi vocem meam.” From the depths, I have cried out to you, O Lord; Lord,…

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    The Reinvention of Parish Music

    by Jeffrey Tucker

    The birthday notification popped up on my Skype window: Jeffrey Ostrowski just turned 31. I had to look again. Only 31 years old? This is a musician who has produced probably two dozen books of music for Catholic liturgy that…

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    The Jewish Precedent for Latin Chant

    by Jeffrey Tucker

    I’ve long written in favor of reestablishing Gregorian chant as the primary musical language of liturgy for Roman Rite Catholics around the world. We’ve taken great steps in this direction with the new Missal in English, which embeds the chant…

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    Musical Corruptions Continue Despite Recent Vatican Interventions

    by Jeffrey Tucker

    The Vatican has intervened in the guidelines on Catholic liturgical music in the U.S. It has sent a message to U.S. publishers that it objects to extending the official text of the Agnus Dei to add additional text. The practice…

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    Catholic Music: It’s Time to Stop Making Stuff Up

    by Jeffrey Tucker

    Every weekend or so, some name composer of mainstream Catholic music is out and about giving a workshop in a parish somewhere. I’ve been to enough of these to pretty much know what they are going to say in advance….

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    Paint-by-Number Hymns

    by Anthony Esolen

    “Are you interested in painting, sir?” asks the cheerful curator of the modern art museum. “No, not me,” says the detective.  He passes his hand across his rumpled hair.  “Now, Mrs. Columbo, she’s different.  That woman is into everything.  She…

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    Singing Lessons

    by Robert A. Skeris

    This essay first appeared in the September 1996 issue of Crisis Magazine. The Mass is the very core of the Catholic liturgy, the supremely important expression of the Church’s faith. It is clear that a skewed concept of the Mass…

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    Whatever Happened to Palestrina?

    by Rev. Lawrence B. Porter

    A German opera called Palestrina, composed by Hans Pfitzner during the First World War, portrayed the 16th-century composer as the savior of Catholic Church music. Set during the Council of Trent, the opera had the council fathers on the verge…

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    Cardinal Bartolucci on the Restoration of Sacred Music

    by Joseph Susanka

    ZENIT has published an interview with the long-time (and now-retired) director of the Sistine Chapel Choir, the recently elevated Domenico Cardinal Bartolucci. A brief journey through the Interwebs reveals the 93-year-old composer to be a feisty advocate for sacred music,…

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    A Sacred Selection for the First Sunday of Lent

    by Joseph Susanka

    Rekindling a semi-tradition from last year, here is a piece of sacred music to help celebrate the First Sunday of Lent. I thought I’d start off with a relative newcomer (to me, at least): “In te Domine speravi,” from the…

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    A Catholic Composer to Watch…

    by Deal W. Hudson

    Eric Genuis is a composer, performer, and conductor on a mission to save the culture from the destructive effects of bad music. Like the philosophers of ancient Greece, Genuis believes music shapes our character, and worries that "young people are…

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